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Above drawings and handlettering
by Vanessa Davis and Leela Corman

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testimonials
from Tom Hart's students in New York City

Tom created a teaching environment that fostered open discussion, unbiased attitudes and a love for understanding how comics work and the kind of work we wanted to make.
-Jess Fink

You make comic stories, story telling so exciting and fun. I know I came to you with a crazy idea of writing a story. I don't think I'd have embarked on such an ambitious journey without your enthusiasm, boundless optimism, and most importantly, a belief in the story.
-Anna Kim

The way Tom teaches just electrifies my passion for making comics to an extent that I don't often experience.
-Hillary Allison

Tom’s approach to education and guidance offers sensitivity and candor in equal measure. He offers technical insight across genre boundaries, adapting his criteria to each student’s goals and aesthetic preferences.
- Dan Strauss

Tom picked me up from my rut, showed me what potential I had as an illustrator, and kicked my self-doubt’s ass six ways till sunday.
- Carlos Abdu

If you’re having a problem with your art or story, rather than spouting out answers at you, he’ll try to talk you through it and eventually draw a solution from you. This teaching style helped boost my artistic confidence and problem solving.
- Jon Mosley

Tom is a magical teacher and all-around great guy. He did not just help my brain understand how to create a good comic, but also opened my eyes to tons of great cartoonists, provided advice outside of class time, helped me find a thesis advisor, lent me fantastic books, etc. (the list goes on).
-Jess Worby

Seriously Comics
A lo-fi, lo-brow homage to I LIKE COMICS (1994 zine by Peter Bagge) and love letter to NYC comic scene.
Stephanie Mannheim and Tom Hart edited this newspaper which features interviews with Dash Shaw, Gary Panter and Keith Mayerson, a fumetti staring Jason Little and Stacey Nightmare, various articles and other goodies. 20 pages, black and white newsprint.Download the free pdf.

ISRA
A tabloid newspaper full of single-page comics by Tom Hart's students.
16 pages, features great work by Hilary Allison, Alexander Rothman, Stephanie Mannheim, Maria Sputnik, The Illustrious Alabaster and more. Download the free pdf.

To order by mail: ISRA and SERIOUSLY COMICS together: $4.00

How To Say Everything
Tom Hart's 200-page treatise on coming up with ideas, on working from your personal obsessions and images and ideas to create meaningful comics. Full of essays and more than 50 exercises. This book is IN PROGRESS (about 90%-95% finished.)

Buy the hardcopy here in progress here:
http://www.lulu.com/content/paperback-book/how-to-say-everything/10000215

Saw Comic Strip Guide

SAW Strip Book CoverThis is the book you need if you have any interest in making good comic strips.

A 83-page book on the comic strip from "What size do I draw?" to conceiving ideas to drawing and inking and coloring.

PAPERBACK, 7.95 or PDF, 3.99:
Support independent publishing: Buy this book on Lulu.

 

EPUB for IPad and other readers: coming as soon as we get the bugs worked out
 

She's Not Into Poetry

SAW Strip Book Cover

PAPERBACK, 16.95 or PDF, 4.99:
Support independent publishing: Buy this book on Lulu.

 

EPUB for IPad and other readers: coming as soon as we get the bugs worked out
A 272-page collection of Tom Hart's celebrated mini-comics from the early and mid-90s. Including Love Looks Left, The Angry Criminal, Maria, New Hat, Mañana, Heike and more. Described by Tom Spurgeon as "As good a sustained output in mini-comics by anyone not named John Porcellino" and hailed by John Porcellino as "Some of my favorite comics of the 1990s." Don't miss these personal, strange and hilarious comics.

 

Other projects in progress:

The Seen
Currently we're casting a net out for what we're calling The Seen, a blog and potential book collection of comic-art "remakes." The project we most famously inspired is Josh Bayer's ROM. Were also encouraging other artists to tackle some of the work that inspires them.

ALRIGHT- CANCEL THAT, and just go over to the REDRAWN TUMBLR BLOG, Go Melissa and Chuck!

 

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-Calendar of classes and events
-Download our brochure (PDF)
-Browse our library
-YouTube Channel

News and upcoming classes:

Single Session Intro to Comics Workshop, Sunday August 26, 11:00 am - 5:00 pm
It's All in the Details Single Session Workshop, Sunday September 9, 11:00 am - 5:00 pm

Professional Inking and Drawing Techniques with Justine Mara Andersen, 6 Wednesdays, Sept 12 - October 17.
Graphic Novel Memoir Class, 7 Tuesdays, September 11 - October 23 with Tom Hart


Teen Classes at The Doris Center on Saturdays with Sally Cantirino


ArtWalk Events and Book release parties:


August - Faculty and Student show. We'll show some of the best adult work from our first 7 months of classes, plus show off our faculty some.

View our events and class calendar here

 

 

F.A.Q.

What is this?
Isn't this just like CCS?
Why Gainesville?
Sequential Art? What are you talking about?
What about manga?
Who is this for?
Who are you people?
Is this an accredited program?
Are donations tax-deductible?

Additional enrollment questions? Go here.

What is this?
It is a school with a space for workshops, gallery shows and performances. Plus ideally a space for working artists to come get away for a couple of weeks to work in a peaceful environment. Also a promotional/publishing arm. See the mission statement.

Isn't this just like CCS?
Yes, a little, and maybe no. James Sturm, who founded Center for Cartoon Studies (CCS) has done a great thing in White River Junction, VT and we are in constant awe of his gumption and smarts. James has been friendly with us and he has helped us enormously by offering advice in the forming of this school. We too offer an intensive program in comic art, and will require students to publish their own work at the end of the program. Our school is new and we don't know how it will evolve. Right now, our program is one year, is not an MFA program and is much more low-fi. Our focus is on you, the artist. We work to train you to discover your best practices and habits, pushing you to develop your voice and your talents and turning you into a thriving cartoonist.

Why Gainesville?
In Gainesville students can find movies, bookstores, theaters, rock shows, cheap food and housing, sunny days, bike paths, egrets, lizards, free yoga at the library, free lunches on the University of Florida campus, midnight soccer, organizations and ad hoc sub communities within communities. It's a welcoming DIY place that rewards initiative and engagement. The University (UF) has a long-standing academic comics convention/symposium which has flown in such luminaries as Eddie Campbell, Dan Clowes and Kim Deitch. There are also a large number of academic scholars at the University dedicated to study of sequential art and these people, who have done historical research and investigated the mechanisms of comics in unique ways. The town is vibrant with a lot of culture, including an art museum, a museum of natural history, an arthouse movie theater, good bookstores, great libraries, a renegade video store, an alternative avant garde film festival, and great punk-pizza place/junk and toy shop and much much more. Plus, we like sun. And sunshowers. And waterfowl and Spanish moss and sinkholes and skateboarders and artists and swimming and coffee and pizza and lizards, etc.

Click here for more about Gainesville

"Sequential Art"? What are you talking about?
Sequential art, comics, comix, graphic novels, manga, bandes dessinees, fumetti, cartooning, strips, funny papers- whatever you want to call it, yes it's the same thing: words and still pictures in combination to form narrative. Following Will Eisner's lead, we like Sequential Art, which loses the humorous connotation of "comics" and the movement connotation of "cartoon" (and yes, we know the origin of the word "cartoon") and ultimately it sounds to us more like what it is.

What about manga?
Manga is such a pervasive force that we see a lot of students who have spent most of their time mastering the tics and behaviors of the most popular Japanese comics. In our teen programs, we will encourage the students to see these mannerisms more clearly, and to allow them more control and more options. In our single-year program, we will go further by emphasizing a breaking down of learned mannerisms (this is true of any over-stylized system of creating) towards finding their own personal mode of storytelling. From there, most students report a sort of breakthrough where they begin to understand their own ideas and tendencies better, and as such begin to settle on deeper and more personal methods, techniques and styles. An attentive student can now go back to a popular manga style if they see fit, though most expand on their new found inventiveness and independence.

Who is this for?
You could be: 1) College-age and wanting to focus on art before springboarding into a full-fledged BFA. 2) An aritstic adult who has dabbled in comics and wants to study and practice the form more. 3) Frustrated with your current schooling and want to study comics in a more intensive, inspiring and free environment. 4) Post-college adult looking to continue their education or pick up study they missed. 5) An established creator stuck and needing to push their work to the next level. 6) Any combination or variation on the above. SAW is a school for differing personalities and artists temperaments. We strive to find the stories and art inside you that are trying to come out. We have taught comics to art students, english teachers, truck drivers, museum guards, fine arts students, scriptwriters, graphic designers (lots of those), etc. In short, if you have passion and dedication to learning sequential art, then the SAW single-year intensive is for you.

Who Are You People?
We are cartoonists and artists with decades of experience, grants, awards and award nominations, thousands of published pages and years of teaching experience. Tom Hart taught at School of Visual Arts, "The Harvard of Cartooning" for 10 years and was a favorite teacher among his students. Leela Corman has had an extensive illustration career and her major graphic novel, Unterzkahn, was published to rave reviews from Shocken/Pantheon in 2012. Just about every one of our teachers also teaches at the University of Florida. Read about other teachers on the About Us page.

Is this an accredited program?
Our short term goals do not involve seeking accreditation, a process that can take up to 7 years. An unaccredited MFA may be in the future, but we are still investigating this. Another option we will be investigating is a partnership with the a local college in some manner, perhaps offering BFA credits, but right now our MFA-quality program is a program without accreditation. For more on this, see the Executive Director's statement.

Are my donations tax-deductible?
Yes. The Sequential Artists Workshop (SAW) is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of The Sequential Artists Workshop (SAW) must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

Additional enrollment questions? Go here.

 

Copyright © 2012 The Sequential Artists Workshop Inc.
Contact us at thesaw @ sequentialartistsworkshop.org

(352) 234-6729
Postal address: PO Box 13077, Gainesville, FL 32604
Shipping address for books, donations, etc: 435 S. Main St, Suite 2, Gainesville, FL, 32601

Find us in Gainesville on the corner of SE 5th Ave and S. Main St. behind the Citizen's Co-Op and the Civic Media Center