F.A.Q.

What is this?
Isn't this just like CCS?
Why Gainesville?
Sequential Art? What are you talking about?
What about manga?
Who is this for?

Who are you people?
Is this an accredited program?
Are donations tax-deductible?

Additional enrollment questions? Go here.

What is this?

SAW is an intensive, informal school for graphic novels and comic art in Gainesville, FL. SAW is also a space for shorter workshops, gallery shows, and it offers studio space and residencies for working artists.
See the mission statement.

Isn't this just like CCS?

Yes, a little, and maybe no. James Sturm, who founded Center for Cartoon Studies (CCS) has done a great thing in White River Junction, VT and we are in constant awe of his gumption and smarts. James has been friendly with us and he has helped us enormously by offering advice in the forming of this school. We too offer an intensive program in comic art, and will require students to publish their own work at the end of the program. Our school is new and we don't know how it will evolve. Right now, our program is one year, is not an MFA program and is much more low-fi. Our focus is on you, the artist. We work to train you to discover your best practices and habits, pushing you to develop your voice and your talents and turning you into a thriving cartoonist.

Why Gainesville?

In Gainesville students can find movies, bookstores, theaters, rock shows, cheap food and housing, sunny days, bike paths, egrets, lizards, free yoga at the library, free lunches on the University of Florida campus, midnight soccer, organizations and ad hoc sub communities within communities. It's a welcoming DIY place that rewards initiative and engagement. The University (UF) has a long-standing academic comics convention/symposium which has flown in such luminaries as Eddie Campbell, Dan Clowes and Kim Deitch. There are also a large number of academic scholars at the University dedicated to study of sequential art and these people, who have done historical research and investigated the mechanisms of comics in unique ways. The town is vibrant with a lot of culture, including an art museum, a museum of natural history, an arthouse movie theater, good bookstores, great libraries, a renegade video store, an alternative avant garde film festival, and great punk-pizza place/junk and toy shop and much much more. Plus, we like sun. And sunshowers. And waterfowl and Spanish moss and sinkholes and skateboarders and artists and swimming and coffee and pizza and lizards, etc.

Click here for more about Gainesville

"Sequential Art"? What are you talking about?

Sequential art, comics, comix, graphic novels, manga, bandes dessinees, fumetti, cartooning, strips, funny papers- whatever you want to call it, yes it's the same thing: words and still pictures in combination to form narrative. Following Will Eisner's lead, we like Sequential Art, which loses the humorous connotation of "comics" and the movement connotation of "cartoon" (and yes, we know the origin of the word "cartoon") and ultimately it sounds to us more like what it is.

What about manga?

Manga is such a pervasive force that we see a lot of students who have spent most of their time mastering the tics and behaviors of the most popular Japanese comics. In our teen programs, we will encourage the students to see these mannerisms more clearly, and to allow them more control and more options. In our single-year program, we will go further by emphasizing a breaking down of learned mannerisms (this is true of any over-stylized system of creating) towards finding their own personal mode of storytelling. From there, most students report a sort of breakthrough where they begin to understand their own ideas and tendencies better, and as such begin to settle on deeper and more personal methods, techniques and styles. An attentive student can now go back to a popular manga style if they see fit, though most expand on their new found inventiveness and independence.

Who is this for?

You could be: 1) College-age and wanting to focus on art before springboarding into a full-fledged BFA. 2) An artstic adult who has dabbled in comics and wants to study and practice the form more. 3) Frustrated with your current schooling and want to study comics in a more intensive, inspiring and free environment. 4) Post-college adult looking to continue their education or pick up study they missed. 5) An established creator stuck and needing to push their work to the next level. 6) Any combination or variation on the above. SAW is a school for differing personalities and artists temperaments. We strive to find the stories and art inside you that are trying to come out. We have taught comics to art students, english teachers, truck drivers, museum guards, fine arts students, scriptwriters, graphic designers (lots of those), etc. In short, if you have passion and dedication to learning sequential art, then the SAW single-year intensive is for you.

Who Are You People?

We are cartoonists and artists with decades of experience, grants, awards and award nominations, thousands of published pages and years of teaching experience. Tom Hart taught at School of Visual Arts, "The Harvard of Cartooning" for 10 years and was a favorite teacher among his students. Leela Corman has had an extensive illustration career and her major graphic novel, Unterzkahn, was published to rave reviews from Shocken/Pantheon in 2012. Justine Andersen inked The Invisibles, Swamp Thing and did tons of work for Wizards of the Coast and Lucasfilm. Just about every one of our teachers also teaches at the University of Florida. Read about other teachers on the About Us page.

Is this an accredited program?

Our short term goals do not involve seeking accreditation, a process that can take up to 7 years. An unaccredited MFA may be in the future, but we are still investigating this. Another option we will be investigating is a partnership with the a local college in some manner, perhaps offering BFA credits, but right now our MFA-quality program is a program without accreditation. For more on this, see the Executive Director's statement.

Are my donations tax-deductible?

Yes. The Sequential Artists Workshop (SAW) is a sponsored project of Fractured Atlas, a non-profit arts service organization. Contributions for the purposes of The Sequential Artists Workshop (SAW) must be made payable to Fractured Atlas and are tax-deductible to the extent permitted by law.

Additional enrollment questions? Go here.

What We’re Reading

Posted on November 2, 2011 by Tom Hart

What we’re reading

We’ve been so busy with SAW and Finishing Unterzakhn that we’ve hardly had time to read from the amazing bounty found at the amazing twice-annual Friends of the Library sale or at the Library itself here in Gainesville. Some recent finds:

Unlovable by Esther Pearl Watson
Congress of the Animals by Jim Woodring
Monsters by Ken Dahl
Big Questions by Anders Nilson
Pussycats Need Love, Too by George Booth
Creature Comforts and Black Maria by Charles Addams
Little Orphan Annie: A Willing Helper by Harold Gray
Nemo Annual: Screw Ball Comics edited by Rick Marschall
The Hidden by Richard Sala
The Dormant Beast by Enki Bilal
Motel of the Mysteries by David MacCaulay
“Gall in the Family” in Mad Super Special # 11 plus a bunch of Don Martin
The Influencing Machine by Brooke Gladstone and Josh Neufeld

And then in the mail:

Noah Van Sciver’s Blammo

Variety from Revival House including Trigger #1 and 2, Everything Unseen Parts 1,2 and 3, and Shitbeams on the Loose

Collen Frakes and Betsey Swardlick’s Drag Bandits from Box Brown’s Retrofit Comics

Tom Hart and Leela Corman both wrote about Craig Thompson’s Habibi, here and here, respectively.

2 thoughts on “What We’re Reading”

Rob Clough on November 2, 2011 at 12:28 pm said:

I really like what Revival House is doing. My first column for the new TCJ.com was about them, as a matter of fact.

Reply ↓
- Tom Hart on November 3, 2011 at 12:14 pm said:
  
  Rob- We’ve been reading your columns and that’s what drew our eye to Revival House. Thanks for all the good writing and recommendations!
  
  Reply ↓

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Tom Hart
Founder and Executive Director

Tom Hart is the creator of the Hutch Owen series of graphic novels and books, and has been a core instructor at New York City's School of Visual Arts for 10 years, teaching cartooning to undergraduates,working adults and teens alike. Among his students were Dash Shaw, Sarah Glidden Box Brown and other published cartoonists like Leslie Stein, Jessica Fink, Nicole Virella, Tintin Pantoja, Yali Lin, Josh Bayer, Brendan Leach and many others. His own work has been nominated for all the major industry awards; his The Collected Hutch Owen was nominated for best graphic novel in 2000. He was an early recipient of a Xeric Grant for self-publishing cartoonists, and has been on many best-of lists in the Comics Journal and other comix publications. He has been called "One of the great underrated cartoonists of our time" by Eddie Campbell and "One of my favorite cartoonists of the decade" by Scott McCloud. His daily Hutch Owen comic strip ran for 2 years in newspapers in New York and Boston, and his "Ali's House", co-created with Margo Dabaie was picked up by King Features Syndicate. He has taught comix and sequential art at schools and institutions all around New York City for 10 years, and has conducted week-long workshops from Maine to Hawaii. In addition to constant comix practice and work, he has studied drama, acting and improvisation in New York and sees creating the Sequential Artists Workshop as the next step of his teaching and learning career. His next book will be Daddy Lightning, in March 2012 from Retrofit, and Let's Get Furious, a 380-page new Hutch Owen collection, also in March 2012, from Top Shelf.

Tom Hart's website
Mid-career critical analysis in The Comics Journal
Student Testimonials

photo by Seth Kushner

Justine Mara Andersen

Justine Mara Andersen was mentored by and learned from top names in the industry, including such luminaries as P. Craig Russell (Elric, Sandman), Val Mayerik (Punisher, Conan), Frank Thorne (Red Sonja), John Workman, Jim Steranko and Jeffrey Catherine Jones, but struck out on her own to create her long-running series Mara, Celtic Shamaness for Fantagraphics as well as working as an inker and illustrator for DC Comics, Image Comics, Wizards of the Coast (D&D, etc.), Lucasfilms and other clients.

See more of her work here: http://www.barefootjustine.com

Leela Corman

Leela Corman studied painting, printmaking and illustration at Massachuesettes College of Art and is the author of three graphic novels. Her newest book t Unterzakhn, published by Schocken/Pantheon, has garnered rave reviews in The New York Times, Kirkus, Publishers Weekly and other places. Her first book, Queen's Day earned her a Xeric Award in 1999 and was called "Music to my eyes" by Scott McCloud. In her successful illustration career, she has illustrated books for major publishers on crafts, fashion, gardening, dating and other topics. She is also an accomplished bellydancer and bellydance instructor. Her website is
www.leelacorman.com

Carrie Guss

Writing teacher Carrie Guss currently teaches undergraduate creative writing at the University of Florida, and is finishing up her MFA in Fiction. She has a degree in Politics and Media Studies from Pomona College, where she studied creative nonfiction under David Foster Wallace. She is working on a collection of short stories.

She also has an IMDB page for her role as "Zombie Queen" in 2009's The Hell Patrol.

Carrie Guss' website

John Ronan

History teacher John Ronan has been an instructor at UF, is a founding member of Image/Text, has worked for Fantagraphics and is working on a folio about Frederik Opper. His comics history is unparalleled.

Supporting and visiting faculty to be announced.

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