NOTES FROM SAW
Here’s the place to check out everything that’s been going on at SAW including what we're learning, reading and drawing.
What If I Choose The Wrong Story To Tell?
Cartoonist and SAW instructor, Jess Ruliffson, posted a quote from a book she recommends centering on process.
"It's okay if you weren't brave enough or ready to write what you really needed to write. You will be next time." - Kristen Radke. (Quote from Before and After The Book Deal by Courtney Maum, a great book I recommend).
Punching Through and Recognition
A great post from Tom Hart on the conversation about art, and towards posterity.
Towards recognition.
Procreate Talk and Tech Tips!
In the last few weeks, SAW student Donna Druchunas began hosting tutorial videos for Procreate in SAW’s main online community! Read on to see more!
Stay Weird!
Some wise words from SAW Instructor, Jess Ruliffson, on just MAKING THE WORK and not worrying about the rest. Read on to see what she means.
August Pro-Call with Sophie Yanow!
Our guest this month is Sophie Yanow! Tuesday August 31, 2021 @ 2PM EST! Sophie Yanow is an Eisner-winning cartoonist, memoirist, journalist, and educator whose work focuses on memory and truth, urban planning, theories of control, the militarization of policing, and negative space. Some of her graphic novels include The Contradictions, War of Streets and Houses, and What is a Glacier? Want to tune in? Read more to see how!
Imposter Syndrome and What I Have to Offer
Imposter syndrome, trouble drawing from my imagination, what do I have to offer, and time… does everyone deal with this?
Tips on Drawing Hands
Have you had trouble drawing hands? Hands can be hard! One of our students shared a PDF with resources that they use to help them draw hands and we’re here to share it with you!
Voice and Narration
Explore different types of narration in your comics, which styles do you tend to write in?
The first thing to do if you want more depth and details in your art
The first thing I tell people who want to add more depth and details in their art is to look for the layers. In my classes we examine the layers of masterful work from the front to the back, and then analyze how they arranged and rendered each layer.